#theguardian.com. × Ghana pays for the west’s wastefulness | Letters. Letter: The Kantamanto market fire highlighted to Miah Redmond that the country’s future should not be built on the waste of others, but on its own industries
#Feb.25.2025 ×
#theguardian.com. × ‘Dead white person’s clothes’ mount up as Ghana’s Kantamanto market struggles to rebuild after fire. Six weeks after a devastating blaze in Accra ripped through one of the world’s biggest secondhand markets, many stalls remain unfinished and thousands still have no income
#Feb.24.2025 ×
#theguardian.com. × From escaped child bride to artist: why one Ghanaian painter puts women at the centre of her work. Hawa Awanle Ayiboro’s solo exhibition opens this month in Accra with paintings that explore a difficult period in her childhood and the emancipation of other women
#Feb.11.2025 ×
#theguardian.com. × ‘The image is a call to honour our roots’: Reginald Kofi Boateng’s best phone photo. Exploring themes of identity, heritage and individuality, the Ghanaian photographer used surreal colours to add a dreamlike quality
#Feb.01.2025 ×
Filter: #theguardian.com. × #Feb.25.2025 ×
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